{"product_id":"future-horizons-canadian-digital-humanities-paperback","title":"Future Horizons: Canadian Digital Humanities - Paperback","description":"\u003cdiv\u003e\u003cp style=\"text-align: right;\"\u003e\u003ca href=\"https:\/\/reportcopyrightinfringement.com\/\" target=\"_blank\" rel=\"nofollow\"\u003e\u003cb\u003eReport copyright infringement\u003c\/b\u003e\u003c\/a\u003e\u003c\/p\u003e\u003c\/div\u003e\u003cp\u003eby \u003cb\u003eKiera Obbard\u003c\/b\u003e (Contribution by), \u003cb\u003eSandra Djwa\u003c\/b\u003e (Contribution by), \u003cb\u003eRoopika Risam\u003c\/b\u003e (Contribution by)\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003eAcross more than twenty chapters, \u003ci\u003eFuture Horizons\u003c\/i\u003e explores the past, present, and future of digital humanities research, teaching, and experimentation in Canada. Bringing together work by established and emerging scholars, this collection presents contemporary initiatives in digital humanities alongside a reassessment of the field's legacy to date and conversations about its future potential. It also offers a historical view of the important, yet largely unknown, digital projects in Canada. \u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003ci\u003eFuture Horizons\u003c\/i\u003e offers deep dives into projects that enlist a diverse range of approaches--from digital games to makerspaces, sound archives to born-digital poetry, visual arts to digital textual analysis--and that work with both historical and contemporary Canadian materials. The essays demonstrate how these diverse approaches challenge disciplinary knowledge by enabling humanities researchers to ask new questions. \u003cp\u003e\u003c\/p\u003eThe collection challenges the idea that there is either a single definition of digital humanities or a collective national identity. By looking to digital engagements with race, Indigeneity, gender, and sexuality--not to mention history, poetry, and nationhood--this volume expands what it means to work at the intersection of digital humanities and humanities in Canada today. \u003cp\u003e\u003c\/p\u003eAvailable formats: trade paperback, accessible PDF, and accessible ePub\u003ch3\u003eAuthor Biography\u003c\/h3\u003e\u003cp\u003e\u003cb\u003eKiera Obbard (Contributor) \u003c\/b\u003e\u003cbr\u003e \u003cb\u003eKiera Obbard \u003c\/b\u003eis a poet and PhD candidate in the School of English and Theatre Studies at the University of Guelph. Her SSHRC-funded project, \"The Instagram Effect: Contemporary Canadian Poetry Online,\" examines the complex social, cultural, technological, and economic conditions that have enabled the success of social media poetry in Canada, how the technological affordances of social media platforms mediate reading and writing, and the relationship between social media poetry and data mining practices. She completed her MA in Cultural Studies and Critical Theory at McMaster University and her honours BA with a joint major in English and Communication at the University of Ottawa. She is currently a graduate research assistant for the Translating Digital Canadas project, a fellow at The Humanities Interdisciplinary Collaboration (THINC) Lab, and an editorial board member for the Centre for Media and Celebrity Studies. \u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cb\u003eSandra Djwa (Contributor) \u003c\/b\u003e\u003cbr\u003e \u003cb\u003eSandra Djwa \u003c\/b\u003eis a scholar of Canadian Literature and author of ten books, including \u003ci\u003eThe Politics of the Imagination: A Life of F.R. Scott \u003c\/i\u003e(McClelland and Stewart, 1987), \u003ci\u003eProfessing English: A Life of Roy Daniells \u003c\/i\u003e(University of Toronto Press, 2002), and \u003ci\u003eJourney with No Maps: A Life of P.K. Page \u003c\/i\u003e(McGill-Queen's University Press, 2012; winner of the 2013 Governor General Award for Non-fiction). She co-founded the Association of Canadian and Quebec Literatures in 1973. She has been a member of the Royal Society of Canada since 1994. \u003cp\u003e\u003c\/p\u003e\u003cb\u003eRoopika Risam (Contributor) \u003c\/b\u003e\u003cbr\u003e \u003cb\u003eRoopika Risam \u003c\/b\u003eis Associate Professor of Film and Media Studies and of Comparative Literature and Faculty of Digital Humanities and Social Engagement at Dartmouth College. She is the author of \u003ci\u003eNew Digital Worlds: Postcolonial Digital Humanities in Theory, Praxis, and Pedagogy \u003c\/i\u003e(Northwestern University Press, 2018). Among her edited collections, \u003ci\u003eThe Digital Black Atlantic\u003c\/i\u003e, part of the Debates in the Digital Humanities series, was published by University of Minnesota Press in 2021. Risam is the co-editor of \u003ci\u003eReviews in Digital Humanities\u003c\/i\u003e, a journal offering peer review of digital scholarship, and director of the Digital Ethnic Futures Consortium, a Mellon Foundation-funded initiative to support teaching and research at the intersections of ethnic studies and digital humanities. More information is available at http: \/\/roopikarisam.com. \u003cp\u003e\u003c\/p\u003e\u003cb\u003eAndrea Zeffiro (Contributor) \u003c\/b\u003e\u003cbr\u003e \u003cb\u003eAndrea Zeffiro \u003c\/b\u003eis Assistant Professor in critical technology studies in the Department of Communication Studies and Media Arts and Academic Director for the Lewis \u0026amp; Ruth Sherman Centre for Digital Scholarship at McMaster University. Her work has appeared in \u003ci\u003eCultural Analytics\u003c\/i\u003e, \u003ci\u003ethe Canadian Journal of Communications\u003c\/i\u003e, \u003ci\u003eJournalism \u0026amp; Mass Communication Quarterly\u003c\/i\u003e, \u003ci\u003eConvergence\u003c\/i\u003e, \u003ci\u003eStudies in Social Justice\u003c\/i\u003e, and many edited collections. \u003cp\u003e\u003c\/p\u003e\u003cb\u003eDeanna Fong (Contributor) \u003c\/b\u003e\u003cbr\u003e \u003cb\u003eDeanna Fong \u003c\/b\u003eis a SSHRC-funded researcher at Concordia University, where she directs the digital archive of Canadian poet Fred Wah (fredwah.ca). With a team of student researchers and Systems Librarian Tomasz Neugebauer, she is working on visualizing the site's social metadata, which represents the roles and activities that go into literary production. With Cole Mash, she is the co-editor of a forthcoming collection of essays, interviews, and art titled \u003ci\u003eResistant Practices in Communities of Sound \u003c\/i\u003e(McGill-Queen's University Press, 2023). Her book of interviews, \u003ci\u003eConcern and Commitment: Seven Oral Histories with Innovative Vancouver Women\u003c\/i\u003e, is forthcoming with Talonbooks (2024). She is the literary editor at \u003ci\u003eThe Capilano Review\u003c\/i\u003e. \u003cp\u003e\u003c\/p\u003e\u003cb\u003eRyan Fitzpatrick (Contributor) \u003c\/b\u003e\u003cbr\u003e \u003cb\u003eRyan Fitzpatrick \u003c\/b\u003eis a poet and researcher living in Toronto\/Tkaronto. His research focuses on contemporary poetics and questions of space and intimacy. He has recently published academic articles in \u003ci\u003eStudies in Canadian Literature \u003c\/i\u003eand \u003ci\u003eCanadian \u003c\/i\u003e\u003ci\u003eLiterature\u003c\/i\u003e. He is the author of four books of poetry, including \u003ci\u003eSunny Ways \u003c\/i\u003e(Invisible 2023) and \u003ci\u003eCoast Mountain Foot \u003c\/i\u003e(Talonbooks 2021). With Deanna Fong, Janey Dodd, and others, he worked on the second iteration of the Fred Wah Digital Archive (fredwah.ca). \u003cp\u003e\u003c\/p\u003e\u003cb\u003eGregory Betts (Contributor) \u003c\/b\u003e\u003cbr\u003e \u003cb\u003eGregory Betts \u003c\/b\u003eis a scholar, editor, and experimental poet with collections published in Canada, the United States, Australia, and Ireland. He is most acknowledged for \u003ci\u003eIf Language \u003c\/i\u003e(Book*hug, 2005), a collection of paragraph-length anagrams, and \u003ci\u003eThe Others Raisd in Me \u003c\/i\u003e(Pedlar, 2009), 150 poems carved out of Shakespeare's Sonnet 150. His other books explore conceptual, collaborative, and concrete poetics. He has lectured and performed internationally, including at the Sorbonne Université, the Johannes Gutenberg Universität Mainz, the National Library of Ireland, and the 2010 Vancouver Olympic Games as part of the \"Cultural Olympiad,\" among others. He is a professor of Canadian and avant-garde literature at Brock University, where he has produced two of the most exhaustive academic studies of avant-garde writing in Canada, \u003ci\u003eAvant- Garde Canadian Literature: The Early Manifestations \u003c\/i\u003e(2013) and \u003ci\u003eFinding Nothing: The VanGardes, 1959-1975 \u003c\/i\u003e(2020), both published with University of Toronto Press. He has served as the President of the Association of Canadian College and University Teachers of English (ACCUTE), the Craig Dobbin Professor of Canadian Studies at University College Dublin, and the Chancellor's Chair for Research Excellence at Brock University. He is currently the curator of the bpNichol.ca Digital Archive and Associate Director of the Social Justice Research Initiative. \u003cp\u003e\u003c\/p\u003e\u003cb\u003eEric Schmaltz (Contributor) \u003c\/b\u003e\u003cbr\u003e \u003cb\u003eEric Schmaltz \u003c\/b\u003eis an academic, poet, and editor. He holds a PhD from York University, where he studied Canadian and avant-garde literature. He is the author of \u003ci\u003eSurfaces \u003c\/i\u003e(Invisible Publishing, 2018) and several shorter creative works, including \u003ci\u003eLanguage in Hues \u003c\/i\u003e(Timglaset, 2021). He is also co-editor of \u003ci\u003eI Want to Tell You Love \u003c\/i\u003eby bill bissett and Milton Acorn (University of Calgary Press, 2021). His writing has appeared in \u003ci\u003eCanadian Literature, English Studies in Canada, Jacket2, Bomb, The Capilano Review, \u003c\/i\u003eand other places. A former SSHRC postdoctoral fellow at the University of Pennsylvania, he is currently Writer-on-the-Grounds at Glendon College. \u003cp\u003e\u003c\/p\u003e\u003cb\u003eDani Spinosa (Contributor) \u003c\/b\u003e\u003cbr\u003e \u003cb\u003eDani Spinosa \u003c\/b\u003eis a poet of digital and print media, an on-again-off-again precarious professor, the managing editor of the Electronic Literature Directory, and a co-founding editor of Gap Riot Press. She has published several chapbooks of poetry, several more peer-reviewed journal articles on poetry, one long scholarly book, and one pink poetry book. \u003cp\u003e\u003c\/p\u003e\u003cb\u003eKlara du Plessis (Contributor) \u003c\/b\u003e\u003cbr\u003e \u003cb\u003eKlara du Plessis \u003c\/b\u003eis a FRQSC-funded, final-year PhD candidate at Concordia University, and is affiliated with the SpokenWeb research network. An interdisciplinary project straddling English literature, curatorial studies, and performance, her doctoral work aims to schematize different modes of literary event curation and to think critically about the often-neglected labour that goes into shaping poetry reading series, whether live or in the audio archive. Her research focuses on twentieth century and contemporary Canadian poetry, and develops a research creation component called Deep Curation, an approach that places poets' work in deliberate dialogue with each other and heightens the curator's agency toward the poetic product. In this capacity, she has worked with an amazing array of poets, including Alexei Perry Cox and Kama La Mackerel. Klara is the author of \u003ci\u003eEkke \u003c\/i\u003e(Palimpsest, 2018; winner of the 2019 Pat Lowther Memorial Award) and \u003ci\u003eHell Light Flesh \u003c\/i\u003e(Palimpsest, 2020) and has also edited a book of experimental criticism based on transcription and citation with SpokenWeb and in collaboration with Emma Telaro called \u003ci\u003eQuotes: Transcriptions on Listening, Sound, Agency\u003c\/i\u003e. \u003cp\u003e\u003c\/p\u003e\u003cb\u003eDavid Gaertner (Contributor) \u003c\/b\u003e\u003cbr\u003e \u003cb\u003eDavid Gaertner \u003c\/b\u003eis a settler scholar and Assistant Professor in the Institute for Critical Indigenous Studies at the University of British Columbia and the co-director of the CEDaR Space, a community-oriented new media and digital storytelling lab. He is the author of \u003ci\u003eThe Theatre of Regret: Literature, Art, and the Politics of Reconciliation in Canada \u003c\/i\u003e(University of British Columbia Press, 2020), the editor of \u003ci\u003eSôhkêyihta: The Poetry of Sky Dancer Louise Bernice Halfe \u003c\/i\u003e(Wilfred Laurier University Press, 2018), and co-editor of \u003ci\u003eRead, Listen, Tell: Indigenous Stories from Turtle Island \u003c\/i\u003e(Wilfred Laurier University Press, 2017)\u003ci\u003e. \u003c\/i\u003e \u003cp\u003e\u003c\/p\u003e\u003cb\u003eMark V. Campbell (Contributor) \u003c\/b\u003e\u003cbr\u003e \u003cb\u003eMark V. Campbell \u003c\/b\u003eis a DJ, scholar, and curator. His research explores the relationships between Afrosonic innovations, hip-hop archives, and notions of the human. Mark is currently the principal investigator in the SSHRC-funded research project \u003ci\u003eHip-Hop Archives: The Poetics and Potentials of Knowledge Production \u003c\/i\u003eand founder at Northside Hip-Hop Archives. His recent books include the monograph \u003ci\u003eAfroSonic Life \u003c\/i\u003e(Bloomsbury, 2022)\u003ci\u003e, \u003c\/i\u003ethe co-edited collection of essays \u003ci\u003eWe Still Here: Hip Hop in North of the 49th Parallel \u003c\/i\u003e(McGill-Queen's University Press, 2020), and his collection \u003ci\u003eHip-Hop Archives: The Politics and Poetics of Knowledge Production \u003c\/i\u003e(University of Chicago Press, 2023), co-edited with Murray Forman\u003ci\u003e. \u003c\/i\u003eHe is Assistant Professor of Music and Culture at the University of Toronto Scarborough and holds research fellow positions with the Laboratory for Artistic Intelligence and the Research Centre for Music, Sound and Society in Canada. \u003cp\u003e\u003c\/p\u003e\u003cb\u003eJon Saklofske (Contributor) \u003c\/b\u003e\u003cbr\u003e \u003cb\u003eJon Saklofske\u003c\/b\u003e, Literature Professor at Acadia University, is insatiably curious about intersections between media forms and cultural perceptions. In addition to experimenting with virtual environments and games as tools for academic research, communication, and pedagogy, Jon's other research and research-creation interests include environmental storytelling in theme parks, values-based game design, alternative platforms for open social scholarship, and the critical potential of feminist war games. \u003cp\u003e\u003c\/p\u003e\u003cb\u003eJulia Polyck-O'Neill (Contributor) \u003c\/b\u003e\u003cbr\u003e \u003cb\u003eJulia Polyck-O'Neill \u003c\/b\u003eis an artist, curator, critic, poet, and writer. A former visiting scholar at University of the Arts London (Chelsea College of Arts), lecturer at the Obama Institute at Johannes Gutenberg Universität Mainz (2017-2018), and international fellow of the Electronic Literature Organization, she is currently a SSHRC postdoctoral fellow in the Department of Visual Art and Art History and the Sensorium Centre for Digital Arts and Technology at York University (Toronto) where she studies digital, feminist approaches to interdisciplinary artists' archives. Her writing has been published in \u003ci\u003eZeitschrift für Ästhetik und Allgemeine Kunstwissenschaft \u003c\/i\u003e(\u003ci\u003eThe Journal for Aesthetics and General Art History\u003c\/i\u003e), \u003ci\u003eEnglish Studies in Canada\u003c\/i\u003e, \u003ci\u003eDeGruyter Open Cultural Studies\u003c\/i\u003e, \u003ci\u003eBC Studies\u003c\/i\u003e, \u003ci\u003eCanadian Literature\u003c\/i\u003e, and other places. \u003cp\u003e\u003c\/p\u003e\u003cb\u003eKim Martin (Contributor) \u003c\/b\u003e\u003cbr\u003e \u003cb\u003eKim Martin \u003c\/b\u003eis Assistant Professor of History and Culture and Technology Studies at the University of Guelph. She is Associate Director of THINC Lab and Research Board Chair for the Linked Infrastructure for Networked Cultural Scholarship (LINCS). Her research interests include serendipity in digital environments; the information behaviour of humanities scholars; and local, community-focused oral history. \u003cp\u003e\u003c\/p\u003e\u003cb\u003eRashmeet Kaur (Contributor) \u003c\/b\u003e\u003cbr\u003e \u003cb\u003eRashmeet Kaur \u003c\/b\u003ecompleted her Bachelor of Science degree at the University of Guelph and is currently a Master of Public Health candidate at Drexel University's Dornsife School of Public Health. Rashmeet loves to merge her passion for both the sciences and the humanities with poetry and mixed media artwork. She believes all forms of art have transformative power and this has sparked her passion for facilitating community workshops where she encourages participants to use various art forms as storytelling and social justice tools. Rashmeet's artwork and poetry have been published in local and international publications, including \u003ci\u003eKaleidoscope\u003c\/i\u003e, \u003ci\u003eMargins Magazine\u003c\/i\u003e, and \u003ci\u003eNature is a Human Right\u003c\/i\u003e. You can visit her online at https: \/\/dissectionoftheself.wordpress.com\/ and follow her @_rashmeet.k on Instagram. \u003cp\u003e\u003c\/p\u003e\u003cb\u003ePascale Dangoisse (Contributor) \u003c\/b\u003e\u003cbr\u003e \u003cb\u003ePascale Dangoisse \u003c\/b\u003eis a PhD candidate at the University of Ottawa and a research assistant on the Lesbian and Gay Liberation in Canada (LGLC) project. Her research focuses on the study of liberal political discourses on the topic of feminism and women's rights in Canada. Her research is particularly interested in understanding how systemic discrimination persists under liberal or progressive governments. \u003cp\u003e\u003c\/p\u003e\u003cb\u003eConstance Crompton (Contributor) \u003c\/b\u003e\u003cbr\u003e \u003cb\u003eConstance Crompton \u003c\/b\u003eis Assistant Professor in the Department of Communication at the University of Ottawa and Canada Research Chair in Digital Humanities. She directs the University of Ottawa's Labo de données en sciences humaines\/ The Humanities Data Lab and is a member of the Lesbian and Gay Liberation in Canada (LGLC), Linked Infrastructure for Networked Cultural Scholarship, and Implementing New Knowledge Environments Partnership research teams. She serves as Associate Director of the Digital Humanities Summer Institute, North America's largest digital humanities training institute. She is the co-editor of two volumes, \u003ci\u003eDoing Digital Humanities \u003c\/i\u003eand \u003ci\u003eDoing More Digital Humanities \u003c\/i\u003e(Routledge 2016, 2019). She lives and works on unceded Algonquin land. \u003cp\u003e\u003c\/p\u003e\u003cb\u003eMichelle Schwartz (Contributor) \u003c\/b\u003e\u003cbr\u003e \u003cb\u003eMichelle Schwartz \u003c\/b\u003eis an educational developer at Toronto Metropolitan University's Centre for Excellence in Learning \u0026amp; Teaching where they focus on inclusive and accessible teaching and learning. They co-direct Lesbian and Gay Liberation in Canada (LGLC; lglc.ca), a SSHRC-funded digital humanities research project that is building an interactive digital resource for the study of LGBTQ history in Canada, and serve on the Board of Directors of the ArQuives: Canada's LGBTQ2+ Archives. \u003cp\u003e\u003c\/p\u003e\u003cb\u003eKatherine McLeod (Contributor) \u003c\/b\u003e\u003cbr\u003e \u003cb\u003eKatherine McLeod \u003c\/b\u003eis Affiliate Assistant Professor in the Department of English at Concordia University. She is writing a book that is a feminist listening to recordings of women poets on the radio, and she is the principal investigator of her SSHRC-funded project \"Literary Radio: Developing New Methods of Audio Research.\" She has co-edited, with Jason Camlot, \u003ci\u003eCanLit Across Media: Unarchiving the Literary Event \u003c\/i\u003e(McGill-Queen's University Press, 2019) and has published on poetry, performance, and archives in journals such as \u003ci\u003eCanadian Literature \u003c\/i\u003eand \u003ci\u003eMosaic. \u003c\/i\u003eShe produces \u003ci\u003eShortCuts\u003c\/i\u003e--a monthly series about archival audio--for \u003ci\u003eThe SpokenWeb Podcast\u003c\/i\u003e. \u003cp\u003e\u003c\/p\u003e\u003cb\u003eGraham H. Jensen (Contributor) \u003c\/b\u003e\u003cbr\u003e \u003cb\u003eGraham H. Jensen \u003c\/b\u003eis the principal investigator of the Canadian Modernist Magazines Project (modernistmags.ca) and a Mitacs accelerate and INKE Partnership postdoctoral fellow in the Electronic Textual Cultures Lab at the University of Victoria. In the latter role, he helps manage research, development, and user testing for the Canadian Humanities and Social Sciences Commons (beta version at hsscommons.ca). Previously, at the University of Victoria, he was a SSHRC postdoctoral fellow in English and an associate fellow in the Centre for Studies in Religion and Society. His wide-ranging research interests include Canadian literature, modernism, twentieth- and twenty-first-century literature and religion, critical infrastructure studies, critical digital humanities, and open scholarship. His research is published or forthcoming in \u003ci\u003eThe Edinburgh Companion to Modernism, Myth and Religion\u003c\/i\u003e; \u003ci\u003eInterdisciplinary Digital Engagement in Arts \u0026amp; Humanities\u003c\/i\u003e; \u003ci\u003eOpen Scholarship Press Collections: Connection\u003c\/i\u003e; \u003ci\u003ePop! Public. Open. Participatory; English Studies in Canada\u003c\/i\u003e; \u003ci\u003eUniversity of Toronto Quarterly\u003c\/i\u003e; \u003ci\u003eWilliam James Studies\u003c\/i\u003e; \u003ci\u003eCanadian Poetry\u003c\/i\u003e; and \u003ci\u003eThe Sound and the Fury: A Hypertext Edition. \u003c\/i\u003e \u003cp\u003e\u003c\/p\u003e\u003cb\u003eAllan Cho (Contributor) \u003c\/b\u003e\u003cbr\u003e \u003cb\u003eAllan Cho \u003c\/b\u003ehas an MLIS in Library and Information Studies, an MA in History, and an MA in Educational Technology, all from the University of British Columbia. His previous professional roles include Research Commons librarian and digital humanities liaison librarian. Allan's research interests are in Asian Canadian history, literature, and culture, and outside of work he volunteers his time for several community organizations with anti-racism and solidarity building. Allan's work includes supporting ongoing community initiatives and leading new ones, focusing on community engagement with historically underrepresented groups, subject liaison librarian with the School of Information, and developing an Equity, Diversity, and Inclusion Scholars-in-Residence program with the support of the Peña Family Foundation. \u003cp\u003e\u003c\/p\u003e\u003cb\u003eSarah Zhang (Contributor) \u003c\/b\u003e\u003cbr\u003e \u003cb\u003eSarah Zhang \u003c\/b\u003eis the Librarian for Geography, GIS, and Maps at Simon Fraser University. Sarah holds master's degrees in Library and Information Studies and Ecology. As an immigrant, she is constantly inspired by the cultures around her. Her current research interests include spatial literacy and open scholarship. \u003cp\u003e\u003c\/p\u003e\u003cb\u003eKendra Cowley (Contributor) \u003c\/b\u003e\u003cbr\u003e \u003cb\u003eKendra Cowley \u003c\/b\u003eis a public librarian and forever-researcher based in Tkaronto. \u003cp\u003e\u003c\/p\u003e\u003cb\u003eSusan Brown (Contributor) \u003c\/b\u003e\u003cbr\u003e \u003cb\u003eSusan Brown \u003c\/b\u003eis Professor of English and Canada Research Chair in Collaborative Digital Scholarship at the University of Guelph. Her research explores intersectional feminism, literary history, and online modes of collaborative knowledge production. She directs the Orlando Project in British women's writing, the Canadian Writing Research Collaboratory, and the Linked Infrastructure for Networked Cultural Scholarship. She collaborates with colleagues at Guelph in running The Humanities Interdisciplinary Collaboration (THINC) Lab, the DH@Guelph Summer Workshops, and the major in Culture and Technology Studies. \u003cp\u003e\u003c\/p\u003e\u003cb\u003eAsen Ivanov (Contributor) \u003c\/b\u003e\u003cbr\u003e \u003cb\u003eAsen Ivanov \u003c\/b\u003eholds a PhD in Information Studies from the University of Toronto and an MA in Heritage Studies from the University of Amsterdam. His research and teaching expertise is in the technologies and practices through which cultural heritage and media organizations collect, organize, preserve, and assign value to cultural works. Most recently, Asen was Michael Ridley Postdoctoral Fellow in Digital Humanities at the University of Guelph. \u003cp\u003e\u003c\/p\u003e\u003cb\u003eSarah Roger (Editor) \u003c\/b\u003e\u003cbr\u003e \u003cb\u003eSarah Roger \u003c\/b\u003eis the project manager for the Linked Infrastructure for Networked Cultural Scholarship (LINCS) and Adjunct Professor in the School of English and Theatre Studies at the University of Guelph. She is the author of \u003ci\u003eBorges and Kafka: \u003c\/i\u003e\u003ci\u003eSons and Writers \u003c\/i\u003e(Oxford University Press, 2017). Sarah is the co-investigator, with Paul Barrett, on two SSHRC-funded research projects that study how Canadian literary discourse is transformed in online spaces. \u003cp\u003e\u003c\/p\u003e\u003cb\u003ePaul Barrett (Editor) \u003c\/b\u003e\u003cbr\u003e \u003cb\u003ePaul Barrett \u003c\/b\u003eis Associate Professor in the School of English and Theatre Studies and Culture and Technology Studies at the University of Guelph. He is the author of \u003ci\u003eBlackening Canada: Diaspora, Race, Multiculturalism \u003c\/i\u003e(University of Toronto Press, 2015) and the editor of \u003ci\u003e'Membering Austin Clarke \u003c\/i\u003e(Wilfred Laurier University Press, 2020). His research is at the intersection of Canadian literature, digital humanities, diaspora, and critical race theory. He is the co-investigator, with Sarah Roger, on two SSHRC-funded research projects that study how Canadian literary discourse is transformed in online spaces. \u003cp\u003e\u003c\/p\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003eNumber of Pages:\u003c\/strong\u003e 458\u003c\/div\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 0.93 x 8.25 x 5.5 IN\u003c\/div\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003eIllustrated:\u003c\/strong\u003e Yes\u003c\/div\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003ePublication Date:\u003c\/strong\u003e June 13, 2023\u003c\/div\u003e\n            ","brand":"BooksCloud","offers":[{"title":"Default Title","offer_id":47908812128504,"sku":"9780776640051","price":48.69,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0698\/5629\/7208\/files\/tFGfk6WZPb9780776640051.webp?v=1782875003","url":"https:\/\/barneysbooksellers.com\/products\/future-horizons-canadian-digital-humanities-paperback","provider":"Barney's Book Sellers","version":"1.0","type":"link"}