{"product_id":"michael-haneke-interviews-paperback","title":"Michael Haneke: Interviews - Paperback","description":"\u003cdiv\u003e\u003cp style=\"text-align: right;\"\u003e\u003ca href=\"https:\/\/reportcopyrightinfringement.com\/\" target=\"_blank\" rel=\"nofollow\"\u003e\u003cb\u003eReport copyright infringement\u003c\/b\u003e\u003c\/a\u003e\u003c\/p\u003e\u003c\/div\u003e\u003cp\u003eby \u003cb\u003eRoy Grundmann\u003c\/b\u003e (Editor), \u003cb\u003eFatima Naqvi\u003c\/b\u003e (Editor), \u003cb\u003eColin Root\u003c\/b\u003e (Editor)\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003eSpanning five decades and twenty-four films, director Michael Haneke's career is one of the most significant in the history of European art cinema. However, critical reception has long lagged behind his output. By the time Haneke (b. 1942) emerged into the international spotlight as a cinematic visionary with the 1989 Cannes premiere of The Seventh Continent, he had worked in filmmaking for two decades, producing seven feature-length films.\u003c\/p\u003e\u003cp\u003eAs many of his films aired solely on Austrian and German television, they remained unknown to audiences outside the German-speaking world until 2007, when the first comprehensive Haneke retrospective took place in the United States.\u003c\/p\u003e\u003cp\u003eMichael Haneke: Interviews presents some of Haneke's most profound interviews to English speakers. The volume features seventeen articles, fourteen of which have been translated into English for the first time, and all of which provide a detailed, eloquent commentary on his films and worldview. This book represents the most extensive collection to date of interviews with the filmmaker, spanning his entire oeuvre--from his earliest television films to his so-called \"Glaciation Trilogy\" of the 1990s, from the notorious dark satire Funny Games to its similarly notorious 2007 Hollywood remake, and from his French films of the 2000s to his Oscar-winning drama, Amour, and his most recent feature, Happy End.\u003c\/p\u003e\u003ch3\u003eAuthor Biography\u003c\/h3\u003e\u003cp\u003e\u003cb\u003eRoy Grundmann\u003c\/b\u003e is associate professor of film studies at Boston University. He is author of \u003ci\u003eAndy Warhol's \"Blow Job\"\u003c\/i\u003e;\u003ci\u003e \u003c\/i\u003eeditor of \u003ci\u003eA Companion to Michael Haneke\u003c\/i\u003e and \u003ci\u003eWerner Schroeter\u003c\/i\u003e; and coeditor of the four-volume\u003ci\u003e Wiley-Blackwell History of American Film\u003c\/i\u003e. \u003cb\u003eFatima Naqvi\u003c\/b\u003e is professor of German and film studies at Yale University. She has published \u003ci\u003eHow We Learn Where We Live: Thomas Bernhard, Architecture, and Bildung\u003c\/i\u003e;\u003ci\u003e Deceptive Familiarity: Films by Michael Haneke \u003c\/i\u003e(in German);\u003ci\u003e \u003c\/i\u003eand \u003ci\u003eThe Literary and Cultural Rhetoric of Victimhood: Western Europe, 1970-2005\u003c\/i\u003e. \u003cb\u003eColin Root\u003c\/b\u003e is associate professor of fine arts and humanities at Southern New Hampshire University. He is author of \u003ci\u003ePaul Thomas Anderson: From \"Hard Eight\" to \"Punch-Drunk Love.\"\u003c\/i\u003e\u003c\/p\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003eNumber of Pages:\u003c\/strong\u003e 218\u003c\/div\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 0.5 x 9 x 6 IN\u003c\/div\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003ePublication Date:\u003c\/strong\u003e May 20, 2020\u003c\/div\u003e\n            ","brand":"BooksCloud","offers":[{"title":"Default Title","offer_id":48150355935480,"sku":"9781496828408","price":56.68,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0698\/5629\/7208\/files\/eXU0UUpvWlY2T1BUNHNaM2JUbWduZz09.webp?v=1774702200","url":"https:\/\/barneysbooksellers.com\/products\/michael-haneke-interviews-paperback","provider":"Barney's Book Sellers","version":"1.0","type":"link"}